'Mission: Impossible' star Peter Graves dies at 83
March 14, 2010, 9:41 PM EST
LOS ANGELES (AP) -- Peter Graves, the tall, stalwart actor likely best known for his portrayal of Jim Phelps, leader of a gang of special agents who battled evil conspirators in the long-running television series "Mission: Impossible," died Sunday.
Graves died of an apparent heart attack outside his Los Angeles home, about a week shy of his 84th birthday, publicist Sandy Brokaw said.
He had just returned from brunch with his wife and kids and collapsed before he made it into the house, Brokaw said. One of his daughters administered CPR but was unable to revive him. Graves' family doctor visited the house and believed he had a heart attack, Brokaw said.
Although Graves never achieved the stardom his older brother, James Arness, enjoyed as Marshall Matt Dillon on TV's "Gunsmoke," he had a number of memorable roles in both films and television.
Normally cast as a hero, he turned in an unforgettable performance early in his career as the treacherous Nazi spy in Billy Wilder's 1953 prisoner-of-war drama "Stalag 17."
He also masterfully lampooned his straight-arrow image when he portrayed bumbling airline pilot Clarence Oveur in the 1980 disaster movie spoof "Airplane!"
Graves appeared in dozens of films and a handful of television shows in a career of nearly 60 years.
The authority and trust he projected made him a favorite for commercials late in his life, and he was often encouraged to go into politics.
"He had this statesmanlike quality," Brokaw said. "People were always encouraging him to run for office. But he said, 'I like acting. I like being around actors.'"
Graves' career began with cheaply made exploitation films like "It Conquered the World," in which he battled a carrot-shaped monster from Venus, and "Beginning of the World," in which he fought a giant grasshopper.
He later took on equally formidable human villains each week on "Mission: Impossible."
Every show began with Graves, as agent Phelps, listening to a tape of instructions outlining his team's latest mission and explaining that if he or any of his agents were killed or captured "the secretary will disavow any knowledge of your actions."
The tape always self-destructed within seconds of being played.
The show ran on CBS from 1967 to 1973 and was revived on ABC from 1988 to 1990 with Graves back as the only original cast member.
The actor credited clever writing for the show's success.
"It made you think a little bit and kept you on the edge of your seat because you never knew what was going to happen next," he once said.
Showing posts with label Actor. Show all posts
Showing posts with label Actor. Show all posts
Monday, March 15, 2010
Monday, September 14, 2009
Patrick Swayze dies at 57
Patrick Swayze dies at 57
LOS ANGELES (AP) -- Patrick Swayze, the hunky actor who danced his way into viewers' hearts with "Dirty Dancing" and then broke them with "Ghost," died Monday after a battle with pancreatic cancer. He was 57.
"Patrick Swayze passed away peacefully today with family at his side after facing the challenges of his illness for the last 20 months," said a statement released Monday evening by his publicist, Annett Wolf. No other details were given.
Fans of the actor were saddened to learn in March 2008 that Swayze was suffering from a particularly deadly form of cancer.
He had kept working despite the diagnosis, putting together a memoir with his wife and shooting "The Beast," an A&E drama series for which he had already made the pilot. It drew a respectable 1.3 million viewers when the 13 episodes ran in 2009, but A&E said it had reluctantly decided not to renew it for a second season.
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Swayze said he opted not to use painkilling drugs while making "The Beast" because they would have taken the edge off his performance. He acknowledged that time might be running out given the grim nature of the disease.
When he first went public with the illness, some reports gave him only weeks to live, but his doctor said his situation was "considerably more optimistic" than that.
"I'd say five years is pretty wishful thinking," Swayze told ABC's Barbara Walters in early 2009. "Two years seems likely if you're going to believe statistics. I want to last until they find a cure, which means I'd better get a fire under it."
C. Thomas Howell, who co-starred with Swayze in "The Outsiders," "
Other celebrities used Twitter to express condolences, and "Dirty Dancing" was the top trending topic for a while Monday night, trailed by several other Swayze films.
Ashton Kutcher — whose wife, Demi Moore, co-starred with Swayze in "Ghost" — wrote: "RIP P Swayze." Kutcher also linked to a YouTube clip of the actor poking fun at himself in a classic "Saturday Night Live" sketch, in which he played a wannabe Chippendales dancer alongside the corpulent — and frighteningly shirtless — Chris Farley.
And Larry King wrote: "Patrick Swayze was a wonderful actor & a terrific guy. He put his heart in everything. He was an extraordinary fighter in his battle w Cancer." King added that he'd do a tribute to Swayze on his CNN program Tuesday night.
A three-time Golden Globe nominee, Swayze became a star with his performance as the misunderstood bad-boy Johnny Castle in "Dirty Dancing." As the son of a choreographer who began his career in musical theater, he seemed a natural to play the role.
A coming-of-age romance starring Jennifer Grey as an idealistic young woman on vacation with her family and Swayze as the Catskills resort's sexy (and much older) dance instructor, the film made great use of both his grace on his feet and his muscular physique.
It became an international phenomenon in the summer of 1987, spawning albums, an Oscar-winning hit song in "(I've Had) the Time of My Life," stage productions and a sequel, 2004's "Dirty Dancing: Havana Nights," in which he made a cameo.
Swayze performed and co-wrote a song on the soundtrack, the ballad "She's Like the Wind," inspired by his wife, Lisa Niemi.
The film also gave him the chance to utter the now-classic line, "Nobody puts Baby in a corner."
Swayze followed that up with the 1989 action flick "Road House," in which he played a bouncer at a rowdy bar. But it was his performance in 1990's "Ghost" that showed his vulnerable, sensitive side. He starred as a murdered man trying to communicate with his fiancee (Demi Moore) — with great frustration and longing — through a psychic played by Whoopi Goldberg.
Swayze said at the time that he fought for the role of Sam Wheat (director Jerry Zucker wanted Kevin Kline) but once he went in for an audition and read six scenes, he got it.
Why did he want the part so badly? "It made me cry four or five times," he said of Bruce Joel Rubin's Oscar-winning script in an AP interview.
"Ghost" provided yet another indelible musical moment: Swayze and Moore sensually molding pottery together to the strains of the Righteous Brothers' "Unchained Melody." It also earned a best-picture nomination and a supporting-actress Oscar for Goldberg, who said she wouldn't have won if it weren't for Swayze.
"When I won my Academy Award, the only person I really thanked was Patrick," Goldberg said in March 2008 on the ABC daytime talk show "The View."
Swayze himself earned three Golden Globe nominations, for "Dirty Dancing," "Ghost" and 1995's "To Wong Foo, Thanks for Everything! Julie Newmar," which further allowed him to toy with his masculine image. The role called for him to play a drag queen on a cross-country road trip alongside Wesley Snipes and John Leguizamo.
His heartthrob status almost kept him from being considered for the role of Vida Boheme.
"I couldn't get seen on it because everyone viewed me as terminally heterosexually masculine-macho," he told the AP then. But he transformed himself so completely that when his screen test was sent to Steven Spielberg, whose Amblin pictures produced "To Wong Foo," Spielberg didn't recognize him.
Among his earlier films, Swayze was part of the star-studded lineup of up-and-comers in Francis Ford Coppola's 1983 adaptation of S.E. Hinton's novel "The Outsiders," alongside Rob Lowe, Tom Cruise, Matt Dillon, Ralph Macchio, Emilio Estevez and Diane Lane. Swayze played Darrel "Dary" Curtis, the oldest of three wayward brothers — and essentially the father figure — in a poor family in small-town
Other '80s films included "Red Dawn," "
In the '90s, he made such eclectic films as "Point Break" (1991), in which he played the leader of a band of bank-robbing surfers, and the family Western "Tall Tale" (1995), in which he starred as Pecos Bill. He appeared on the cover of People magazine as its "Sexiest Man Alive" in 1991, but his career tapered off toward the end of the 1990s, when he also had stay in rehab for alcohol abuse. In 2001, he appeared in the cult favorite "Donnie Darko," and in 2003 he returned to the
Swayze was born in 1952 in Houston, the son of Jesse Swayze and choreographer Patsy Swayze, whose films include "Urban Cowboy."
He played football but also was drawn to dance and theater, performing with the Feld, Joffrey and Harkness Ballets and appearing on Broadway as Danny Zuko in "Grease." But he turned to acting in 1978 after a series of injuries.
Within a couple years of moving to
Swayze had a couple of movies in the works when his diagnosis was announced, including the drama "Powder Blue," starring Jessica Biel, Forest Whitaker and his younger brother, Don, which was scheduled for release this year.
Off-screen, he was an avid conservationist who was moved by his time in
Friday, June 5, 2009
Carradine's Family Suspicious of Death
Carradine's Family Suspicious of Death
Posted Jun 5th 2009 10:10AM by TMZ Staff
David Carradine's family believes foul play was involved in the actor's death because they've been told he was found with his hands tied behind his back.
Earlier today, Thai police added to the mystery saying, "It is unclear whether [David] committed suicide or not or [whether] he died of suffocation or heart failure." Police say he could have died from an "accidental suffocation."
David's body was discovered in his Bangkok hotel room early Thursday morning -- police said there was rope wrapped around his neck and genitals.
Initially cops suspected suicide, but Carradine's close friends and family immediately refuted the claim -- saying David would never do that to himself. But cops say there's no evidence to suggest anyone was in the room at the time of David's death.
Now, suspicions of foul play are growing even stronger among family members who claim the hotel has been incredibly slow in turning over surveillance video to cops.
We've been told by the U.S. Embassy in Bangkok that David's body was shipped back to the States Friday evening (Thailand is 14 hours ahead of PST).
Posted Jun 5th 2009 10:10AM by TMZ Staff
David Carradine's family believes foul play was involved in the actor's death because they've been told he was found with his hands tied behind his back.
Earlier today, Thai police added to the mystery saying, "It is unclear whether [David] committed suicide or not or [whether] he died of suffocation or heart failure." Police say he could have died from an "accidental suffocation."
David's body was discovered in his Bangkok hotel room early Thursday morning -- police said there was rope wrapped around his neck and genitals.
Initially cops suspected suicide, but Carradine's close friends and family immediately refuted the claim -- saying David would never do that to himself. But cops say there's no evidence to suggest anyone was in the room at the time of David's death.
Now, suspicions of foul play are growing even stronger among family members who claim the hotel has been incredibly slow in turning over surveillance video to cops.
We've been told by the U.S. Embassy in Bangkok that David's body was shipped back to the States Friday evening (Thailand is 14 hours ahead of PST).
Thursday, June 4, 2009
Actor David Carradine found dead in Bangkok
By GRANT PECK, Associated Press Writer Grant Peck, Associated Press Writer – 2 hrs 3 mins ago
BANGKOK – Actor David Carradine, a born seeker and cult idol who broke through as the willing student called "grasshopper" in the 1970s TV series "Kung Fu" and decades later as leader of an assassin squad in "Kill Bill," was found dead Thursday in Thailand. Police said he appeared to have hanged himself.
The officer responsible for investigating the death, Teerapop Luanseng, said the 72-year-old actor was staying at a suite at the luxury Swissotel Nai Lert Park Hotel.
"I can confirm that we found his body, naked, hanging in the closet," Teerapop said. He said police suspected suicide.
A spokesman for the U.S. Embassy, Michael Turner, said the embassy was informed by Thai authorities that Carradine died either late Wednesday or early Thursday, but he could not provide further details out of consideration for his family.
Carradine came from an acting family. His father, John, made a career playing creepy, eccentric characters in film and on stage. His brothers Keith, Robert and Bruce also became actors. Actress Martha Plimpton is Keith Carradine's daughter.
"My Uncle David was a brilliantly talented, fiercely intelligent and generous man. He was the nexus of our family in so many ways, and drew us together over the years and kept us connected," Plimpton said Thursday.
Carradine was in Bangkok shooting the movie "Stretch," said his manager, Chuck Binder.
"We're very saddened, he was a wonderful guy," said Lori Binder, a partner in the agency that represented Carradine.
"It is shocking to me that he is no longer with us," said Michael Madsen, who played an assassin in "Kill Bill."
"I had been thinking about calling him for the last several days. ... I have so many great memories of David that I wouldn't even know where to begin . He has a very special place in my heart."
The Web site of the Thai newspaper The Nation said Carradine could not be contacted after he failed to appear for a meal with the rest of the film crew on Wednesday, and that his body was found by a hotel maid Thursday morning. It said a preliminary police investigation found that he had hanged himself with a cord used with the suite's curtains. It cited police as saying there was no sign that he had been assaulted.
Police said Carradine's body was taken to a hospital for an autopsy that would be done Friday.
Carradine appeared in more than 100 feature films with such directors as Martin Scorsese, Ingmar Bergman and Hal Ashby. One of his early film roles was as folk singer Woody Guthrie in Ashby's 1976 biopic, "Bound for Glory."
But he was best known for his role as Kwai Chang Caine, a Shaolin priest traveling the 1800s American frontier West in the TV series "Kung Fu," which aired in 1972-75.
"I wasn't like a TV star in those days, I was like a rock 'n' roll star," Carradine said in an interview with Associated Press Radio in 1996. "It was a phenomenon kind of thing. ... It was very special."
Actor Rainn Wilson, star of TV's "The Office," tweeted about Carradine's death on Twitter: "R.I.P. David Carradine. You were a true hero to so many of us children of the 70s. We'll miss you, Kwai Chang Caine."
Carradine reprised the role in a mid-1980s TV movie and played Caine's grandson in the 1990s syndicated series "Kung Fu: The Legend Continues."
He returned to the top in recent years as the title character in Quentin Tarantino's two-part saga "Kill Bill." Bill, the worldly father figure of a pack of crack assassins, was a shadowy presence in 2003's "Kill Bill — Vol. 1." In that film, one of Bill's former assassins (Uma Thurman) begins a vengeful rampage against her old associates, including Bill.
In "Kill Bill — Vol. 2," released in 2004, Thurman's character catches up to Bill. The role brought Carradine a Golden Globe nomination as best supporting actor.
Bill was a complete contrast to Caine, the soft-spoken refugee from a Shaolin monastery, serenely spreading wisdom and battling bad guys in the Old West. He left after three seasons, saying the show had started to repeat itself.
"David's always been kind of a seeker of knowledge and of wisdom in his own inimitable way," his brother, actor Keith Carradine, said in a 1995 interview.
After "Kung Fu," Carradine starred in the 1975 cult flick "Death Race 2000." He starred with Liv Ullmann in Bergman's "The Serpent's Egg" in 1977 and with his brothers in the 1980 Western "The Long Riders."
But after the early 1980s, he spent two decades doing mostly low-budget films. Tarantino's films changed that.
"All I've ever needed since I more or less retired from studio films a couple of decades ago ... is just to be in one," Carradine told The Associated Press in 2004.
"There isn't anything that Anthony Hopkins or Clint Eastwood or Sean Connery or any of those old guys are doing that I couldn't do," he said. "All that was ever required was somebody with Quentin's courage to take and put me in the spotlight."
One thing remained a constant after "Kung Fu": Carradine's interest in Asian herbs, exercise and philosophy. He wrote a personal memoir called "Spirit of Shaolin" and continued to make instructional videos on tai chi and other martial arts.
In the 2004 interview, Carradine talked candidly about his past boozing and narcotics use, but said he had put all that behind him and stuck to coffee and cigarettes.
"I didn't like the way I looked, for one thing. You're kind of out of control emotionally when you drink that much. I was quicker to anger."
"You're probably witnessing the last time I will ever answer those questions," Carradine said. "Because this is a regeneration. It is a renaissance. It is the start of a new career for me.
"It's time to do nothing but look forward."
___
Associated Press writer Polly Anderson in New York contributed to this report.
BANGKOK – Actor David Carradine, a born seeker and cult idol who broke through as the willing student called "grasshopper" in the 1970s TV series "Kung Fu" and decades later as leader of an assassin squad in "Kill Bill," was found dead Thursday in Thailand. Police said he appeared to have hanged himself.
The officer responsible for investigating the death, Teerapop Luanseng, said the 72-year-old actor was staying at a suite at the luxury Swissotel Nai Lert Park Hotel.
"I can confirm that we found his body, naked, hanging in the closet," Teerapop said. He said police suspected suicide.
A spokesman for the U.S. Embassy, Michael Turner, said the embassy was informed by Thai authorities that Carradine died either late Wednesday or early Thursday, but he could not provide further details out of consideration for his family.
Carradine came from an acting family. His father, John, made a career playing creepy, eccentric characters in film and on stage. His brothers Keith, Robert and Bruce also became actors. Actress Martha Plimpton is Keith Carradine's daughter.
"My Uncle David was a brilliantly talented, fiercely intelligent and generous man. He was the nexus of our family in so many ways, and drew us together over the years and kept us connected," Plimpton said Thursday.
Carradine was in Bangkok shooting the movie "Stretch," said his manager, Chuck Binder.
"We're very saddened, he was a wonderful guy," said Lori Binder, a partner in the agency that represented Carradine.
"It is shocking to me that he is no longer with us," said Michael Madsen, who played an assassin in "Kill Bill."
"I had been thinking about calling him for the last several days. ... I have so many great memories of David that I wouldn't even know where to begin . He has a very special place in my heart."
The Web site of the Thai newspaper The Nation said Carradine could not be contacted after he failed to appear for a meal with the rest of the film crew on Wednesday, and that his body was found by a hotel maid Thursday morning. It said a preliminary police investigation found that he had hanged himself with a cord used with the suite's curtains. It cited police as saying there was no sign that he had been assaulted.
Police said Carradine's body was taken to a hospital for an autopsy that would be done Friday.
Carradine appeared in more than 100 feature films with such directors as Martin Scorsese, Ingmar Bergman and Hal Ashby. One of his early film roles was as folk singer Woody Guthrie in Ashby's 1976 biopic, "Bound for Glory."
But he was best known for his role as Kwai Chang Caine, a Shaolin priest traveling the 1800s American frontier West in the TV series "Kung Fu," which aired in 1972-75.
"I wasn't like a TV star in those days, I was like a rock 'n' roll star," Carradine said in an interview with Associated Press Radio in 1996. "It was a phenomenon kind of thing. ... It was very special."
Actor Rainn Wilson, star of TV's "The Office," tweeted about Carradine's death on Twitter: "R.I.P. David Carradine. You were a true hero to so many of us children of the 70s. We'll miss you, Kwai Chang Caine."
Carradine reprised the role in a mid-1980s TV movie and played Caine's grandson in the 1990s syndicated series "Kung Fu: The Legend Continues."
He returned to the top in recent years as the title character in Quentin Tarantino's two-part saga "Kill Bill." Bill, the worldly father figure of a pack of crack assassins, was a shadowy presence in 2003's "Kill Bill — Vol. 1." In that film, one of Bill's former assassins (Uma Thurman) begins a vengeful rampage against her old associates, including Bill.
In "Kill Bill — Vol. 2," released in 2004, Thurman's character catches up to Bill. The role brought Carradine a Golden Globe nomination as best supporting actor.
Bill was a complete contrast to Caine, the soft-spoken refugee from a Shaolin monastery, serenely spreading wisdom and battling bad guys in the Old West. He left after three seasons, saying the show had started to repeat itself.
"David's always been kind of a seeker of knowledge and of wisdom in his own inimitable way," his brother, actor Keith Carradine, said in a 1995 interview.
After "Kung Fu," Carradine starred in the 1975 cult flick "Death Race 2000." He starred with Liv Ullmann in Bergman's "The Serpent's Egg" in 1977 and with his brothers in the 1980 Western "The Long Riders."
But after the early 1980s, he spent two decades doing mostly low-budget films. Tarantino's films changed that.
"All I've ever needed since I more or less retired from studio films a couple of decades ago ... is just to be in one," Carradine told The Associated Press in 2004.
"There isn't anything that Anthony Hopkins or Clint Eastwood or Sean Connery or any of those old guys are doing that I couldn't do," he said. "All that was ever required was somebody with Quentin's courage to take and put me in the spotlight."
One thing remained a constant after "Kung Fu": Carradine's interest in Asian herbs, exercise and philosophy. He wrote a personal memoir called "Spirit of Shaolin" and continued to make instructional videos on tai chi and other martial arts.
In the 2004 interview, Carradine talked candidly about his past boozing and narcotics use, but said he had put all that behind him and stuck to coffee and cigarettes.
"I didn't like the way I looked, for one thing. You're kind of out of control emotionally when you drink that much. I was quicker to anger."
"You're probably witnessing the last time I will ever answer those questions," Carradine said. "Because this is a regeneration. It is a renaissance. It is the start of a new career for me.
"It's time to do nothing but look forward."
___
Associated Press writer Polly Anderson in New York contributed to this report.
Tuesday, May 5, 2009
Dom DeLuise, Comic Actor, Dies at 75
Dom DeLuise, Comic Actor, Dies at 75
By WILLIAM GRIMES
Published: May 5, 2009
Dom DeLuise, a pudgy actor whose manic grin and air of desperation added comic bounce to films like “The Twelve Chairs,” “Blazing Saddles” and “Cannonball Run,” died Monday in Los Angeles. He was 75 and lived in Pacific Palisades.
The Associated Press reported that his son Michael had told a television and radio station in Los Angeles that his father had died after a long illness.
Mr. DeLuise first made his mark on television in the early 1960’s as Dominick the Great, an inept but determined magician trying desperately to maintain his poise as one trick after another failed. He created the character for “The Garry Moore Show” and brought it to the CBS variety series “The Entertainers,” where the ensemble cast included Bob Newhart and Carol Burnett, and “The Dean Martin Summer Show.”
Before long Mr. DeLuise was appearing in films, usually in broad comedies as a nervous sidekick, a schmo or a preposterous fraud.
He was a favorite of Mel Brooks, who cast him as the greedy Father Fyodor in “The Twelve Chairs” (1970), the director’s silly assistant in “Silent Movie” (1976), the Emperor Nero in “History of the World — Part I” (1981), the voice of Pizza the Hutt in “Spaceballs” (1987) and the Godfather-like Don Giovanni in “Robin Hood: Men in Tights” (1993).
Burt Reynolds, another fan, teamed up with Mr. DeLuise in several films, including “Smokey and the Bandit II” (1980), “Cannonball Run” (1981) and “The Best Little Whorehouse in Texas” (1982).
Dominick DeLuise was born in Brooklyn and, after graduating from the High School for Performing Arts in Manhattan, attended Tufts. He broke into show business in the late 1950’s in parts like Tinker the Toymaker in the daytime television show “Tinker’s Workshop.” (The show’s creator and first host, Bob Keeshan, had gone on to create and star in “Captain Kangaroo.”) He then made regular appearances on “The Shari Lewis Show” as a bumbling private eye.
After making his Broadway debut in 1963 as the cheerfully nervous mountebank Muffin T. Ragamuffin in “The Student Gypsy,” he appeared as a nervous flier in the cold-war thriller “Fail-Safe” (1964). This serious role was atypical. His chubby face and hysterical laugh made him a natural for comic roles, like the dimwitted spy in the Doris Day film “The Glass Bottom Boat” (1966). These parts he attacked over the ensuing decades with scene-stealing abandon.
Working with Mr. Reynolds and Mr. Brooks, Mr. DeLuise went on a tear in the 1970s and early 1980s. Gene Wilder cast him as a hammy opera star in “The Adventure of Sherlock Holmes’ Smarter Brother” (1975) and as the mad studio chief Adolf Zitz in “The World’s Greatest Lover” (1977). He made a cameo appearance as a wild-eyed agent in “The Muppet Movie” (1979), took on a tragicomic role as a compulsive eater in “Fatso” (1980), and directed his first film, “Hot Stuff” (1979), in which he also took a starring role opposite Suzanne Pleshette.
Mr. DeLuise’s performances, never marked by restraint, stuck at fortissimo as time went on. Films like “Loose Cannons” (1990), in which he played the obese pornographer Harry (the Hippo) Gutterman, did him no favors, and he reached a nadir in “The Silence of the Hams” (1994), a horror spoof, in which he played Dr. Animal Cannibal Pizza.
As his film career declined, Mr. DeLuise found a creative outlet in food. A talented amateur chef, he began doing cooking demonstrations on television and wrote several cookbooks, including, “Eat This . . . It’ll Make You Feel Better!” (1988) and “Eat This Too!: It’ll Also Make You Feel Better” (1997). He also wrote “Charlie the Caterpillar,” “The Pouch Potato” and other books for children.
In 1965 he married the actress Carol Arthur, who survives him. In addition to his son Michael, he is survived by two other sons. Peter and David, and three grandchildren.
His toughest acting assignment was his first, he told the writer Ronald L. Smith in 1992 for the book “Who’s Who in Comedy.” He was handed the role of a penny in a school play. “The part called for me to roll under a bed as soon as the curtain went up and stay there until I was found in the very last scene,” he said. “It was my hardest role to date. I detested having to be quiet and out of the action for so long.”
By WILLIAM GRIMES
Published: May 5, 2009
Dom DeLuise, a pudgy actor whose manic grin and air of desperation added comic bounce to films like “The Twelve Chairs,” “Blazing Saddles” and “Cannonball Run,” died Monday in Los Angeles. He was 75 and lived in Pacific Palisades.
The Associated Press reported that his son Michael had told a television and radio station in Los Angeles that his father had died after a long illness.
Mr. DeLuise first made his mark on television in the early 1960’s as Dominick the Great, an inept but determined magician trying desperately to maintain his poise as one trick after another failed. He created the character for “The Garry Moore Show” and brought it to the CBS variety series “The Entertainers,” where the ensemble cast included Bob Newhart and Carol Burnett, and “The Dean Martin Summer Show.”
Before long Mr. DeLuise was appearing in films, usually in broad comedies as a nervous sidekick, a schmo or a preposterous fraud.
He was a favorite of Mel Brooks, who cast him as the greedy Father Fyodor in “The Twelve Chairs” (1970), the director’s silly assistant in “Silent Movie” (1976), the Emperor Nero in “History of the World — Part I” (1981), the voice of Pizza the Hutt in “Spaceballs” (1987) and the Godfather-like Don Giovanni in “Robin Hood: Men in Tights” (1993).
Burt Reynolds, another fan, teamed up with Mr. DeLuise in several films, including “Smokey and the Bandit II” (1980), “Cannonball Run” (1981) and “The Best Little Whorehouse in Texas” (1982).
Dominick DeLuise was born in Brooklyn and, after graduating from the High School for Performing Arts in Manhattan, attended Tufts. He broke into show business in the late 1950’s in parts like Tinker the Toymaker in the daytime television show “Tinker’s Workshop.” (The show’s creator and first host, Bob Keeshan, had gone on to create and star in “Captain Kangaroo.”) He then made regular appearances on “The Shari Lewis Show” as a bumbling private eye.
After making his Broadway debut in 1963 as the cheerfully nervous mountebank Muffin T. Ragamuffin in “The Student Gypsy,” he appeared as a nervous flier in the cold-war thriller “Fail-Safe” (1964). This serious role was atypical. His chubby face and hysterical laugh made him a natural for comic roles, like the dimwitted spy in the Doris Day film “The Glass Bottom Boat” (1966). These parts he attacked over the ensuing decades with scene-stealing abandon.
Working with Mr. Reynolds and Mr. Brooks, Mr. DeLuise went on a tear in the 1970s and early 1980s. Gene Wilder cast him as a hammy opera star in “The Adventure of Sherlock Holmes’ Smarter Brother” (1975) and as the mad studio chief Adolf Zitz in “The World’s Greatest Lover” (1977). He made a cameo appearance as a wild-eyed agent in “The Muppet Movie” (1979), took on a tragicomic role as a compulsive eater in “Fatso” (1980), and directed his first film, “Hot Stuff” (1979), in which he also took a starring role opposite Suzanne Pleshette.
Mr. DeLuise’s performances, never marked by restraint, stuck at fortissimo as time went on. Films like “Loose Cannons” (1990), in which he played the obese pornographer Harry (the Hippo) Gutterman, did him no favors, and he reached a nadir in “The Silence of the Hams” (1994), a horror spoof, in which he played Dr. Animal Cannibal Pizza.
As his film career declined, Mr. DeLuise found a creative outlet in food. A talented amateur chef, he began doing cooking demonstrations on television and wrote several cookbooks, including, “Eat This . . . It’ll Make You Feel Better!” (1988) and “Eat This Too!: It’ll Also Make You Feel Better” (1997). He also wrote “Charlie the Caterpillar,” “The Pouch Potato” and other books for children.
In 1965 he married the actress Carol Arthur, who survives him. In addition to his son Michael, he is survived by two other sons. Peter and David, and three grandchildren.
His toughest acting assignment was his first, he told the writer Ronald L. Smith in 1992 for the book “Who’s Who in Comedy.” He was handed the role of a penny in a school play. “The part called for me to roll under a bed as soon as the curtain went up and stay there until I was found in the very last scene,” he said. “It was my hardest role to date. I detested having to be quiet and out of the action for so long.”
Saturday, April 25, 2009
'Golden Girls' star Bea Arthur dies at 86
'Golden Girls' star Bea Arthur dies at 86
April 25, 2009, 2:55 PM EST
LOS ANGELES (AP) -- Beatrice Arthur, the tall, deep-voiced actress whose razor-sharp delivery of comedy lines made her a TV star in the hit shows "Maude" and "The Golden Girls" and who won a Tony Award for the musical "Mame," died Saturday. She was 86.
Arthur died peacefully at her Los Angeles home with her family at her side, family spokesman Dan Watt said. She had cancer, Watt said, declining to give further details.
"She was a brilliant and witty woman," said Watt, who was Arthur's personal assistant for six years. "Bea will always have a special place in my heart."
Arthur first appeared in the landmark comedy series "All in the Family" as Edith Bunker's loudly outspoken, liberal cousin, Maude Finley. She proved a perfect foil for blue-collar bigot Archie Bunker (Carroll O'Connor), and their blistering exchanges were so entertaining that producer Norman Lear fashioned Arthur's own series.
In a 2008 interview with The Associated Press, Arthur said she was lucky to be discovered by TV after a long stage career, recalling with bemusement CBS executives asking about the new "girl."
"I was already 50 years old. I had done so much off-Broadway, on Broadway, but they said, 'Who is that girl? Let's give her her own series,'" Arthur said.
"Maude" scored with television viewers immediately on its CBS debut in September 1972, and Arthur won an Emmy Award for the role in 1977.
The comedy flowed from Maude's efforts to cast off the traditional restraints that women faced, but the series often had a serious base. Her husband Walter (Bill Macy) became an alcoholic, and she underwent an abortion, which drew a torrent of viewer protests. Maude became a standard bearer for the growing feminist movement in America.
The ratings of "Maude" in the early years approached those of its parent, "All in the Family," but by 1977 the audience started to dwindle. A major format change was planned, but in early 1978 Arthur announced she was quitting the show.
"It's been absolutely glorious; I've loved every minute of it," she said. "But it's been six years, and I think it's time to leave."
"Golden Girls" (1985-1992) was another groundbreaking comedy, finding surprising success in a television market increasingly skewed toward a younger, product-buying audience.
The series concerned three retirees — Arthur, Betty White and Rue McClanahan — and the mother of Arthur's character, Estelle Getty, who lived together in a Miami apartment. In contrast to the violent "Miami Vice," the comedy was nicknamed "Miami Nice."
As Dorothy Zbornak, Arthur seemed as caustic and domineering as Maude. She was unconcerned about the similarity of the two roles. "Look — I'm 5-feet-9, I have a deep voice and I have a way with a line," she told an interviewer. "What can I do about it? I can't stay home waiting for something different. I think it's a total waste of energy worrying about typecasting."
The interplay among the four women and their relations with men fueled the comedy, and the show amassed a big audience and 10 Emmys, including two as best comedy series and individual awards for each of the stars.
In 1992, Arthur announced she was leaving "Golden Girls." The three other stars returned in "The Golden Palace," but it lasted only one season.
Arthur was born Bernice Frankel in New York City in 1922. When she was 11, her family moved to Cambridge, Md., where her father opened a clothing store. At 12 she had grown to full height, and she dreamed of being a petite blond movie star like June Allyson. There was one advantage of being tall and deep-voiced: She was chosen for the male roles in school plays.
Bernice — she hated the name and adopted her mother's nickname of Bea — overcame shyness about her size by winning over her classmates with wisecracks. She was elected the wittiest girl in her class. After two years at a junior college in Virginia, she earned a degree as a medical lab technician, but she "loathed" doing lab work at a hospital.
Acting held more appeal, and she enrolled in a drama course at the New School of Social Research in New York City. To support herself, she sang in a night spot that required her to push drinks on customers.
During this time she had a brief marriage that provided her stage name of Beatrice Arthur. In 1950, she married again, to Broadway actor and future Tony-winning director Gene Saks.
After a few years in off-Broadway and stock company plays and television dramas, Arthur's career gathered momentum with her role as Lucy Brown in the 1955 production of "The Threepenny Opera."
In 2008, when Arthur was inducted in the TV Academy Hall of Fame, Arthur pointed to the role as the highlight of her long career.
"A lot of that had to do with the fact that I felt, 'Ah, yes, I belong here,'" Arthur said.
More plays and musicals followed, and she also sang in nightclubs and played small roles in TV comedy shows.
Then, in 1964, Harold Prince cast her as Yente the Matchmaker in the original company of "Fiddler on the Roof."
Arthur's biggest Broadway triumph came in 1966 as Vera Charles, Angela Lansbury's acerbic friend in the musical "Mame," directed by Saks. Richard Watts of the New York Post called her performance "a portrait in acid of a savagely witty, cynical and serpent-tongued woman."
She won the Tony as best supporting actress and repeated the role in the unsuccessful film version that also was directed by Saks, starring Lucille Ball as Mame. Arthur would play a variation of Vera Charles in "Maude" and "The Golden Girls."
In 1983, Arthur attempted another series, "Amanda's," an Americanized version of John Cleese's hilarious "Fawlty Towers." She was cast as owner of a small seaside hotel with a staff of eccentrics. It lasted a mere nine episodes.
Between series, Arthur remained active in films and theater. Among the movies: "That Kind of Woman" (1959), "Lovers and Other Strangers" (1970), Mel Brooks ' "The History of the World: Part I" (1981), "For Better or Worse" (1995).
The plays included Woody Allen's "The Floating Light Bulb" and "The Bermuda Avenue Triangle," written by and costarring Renee Taylor and Joseph Bologna. During 2001 and 2002 she toured the country in a one-woman show of songs and stories, "... And Then There's Bea."
Arthur and Saks divorced in 1978 after 28 years. They had two sons, Matthew and Daniel. In his long career, Saks won Tonys for "I Love My Wife," "Brighton Beach Memoirs" and "Biloxi Blues." One of his Tony nominations was for "Mame."
In 1999, Arthur told an interviewer of the three influences in her career: "Sid Caesar taught me the outrageous; (method acting guru) Lee Strasberg taught me what I call reality; and ('Threepenny Opera' star) Lotte Lenya, whom I adored, taught me economy."
In recent years, Arthur made guest appearances on shows including "Curb Your Enthusiasm" and "Malcolm in the Middle." She was chairwoman of the Art Attack Foundation, a non-profit performing arts scholarship organization.
Arthur is survived by her sons and two granddaughters. No funeral services are planned.
April 25, 2009, 2:55 PM EST
LOS ANGELES (AP) -- Beatrice Arthur, the tall, deep-voiced actress whose razor-sharp delivery of comedy lines made her a TV star in the hit shows "Maude" and "The Golden Girls" and who won a Tony Award for the musical "Mame," died Saturday. She was 86.
Arthur died peacefully at her Los Angeles home with her family at her side, family spokesman Dan Watt said. She had cancer, Watt said, declining to give further details.
"She was a brilliant and witty woman," said Watt, who was Arthur's personal assistant for six years. "Bea will always have a special place in my heart."
Arthur first appeared in the landmark comedy series "All in the Family" as Edith Bunker's loudly outspoken, liberal cousin, Maude Finley. She proved a perfect foil for blue-collar bigot Archie Bunker (Carroll O'Connor), and their blistering exchanges were so entertaining that producer Norman Lear fashioned Arthur's own series.
In a 2008 interview with The Associated Press, Arthur said she was lucky to be discovered by TV after a long stage career, recalling with bemusement CBS executives asking about the new "girl."
"I was already 50 years old. I had done so much off-Broadway, on Broadway, but they said, 'Who is that girl? Let's give her her own series,'" Arthur said.
"Maude" scored with television viewers immediately on its CBS debut in September 1972, and Arthur won an Emmy Award for the role in 1977.
The comedy flowed from Maude's efforts to cast off the traditional restraints that women faced, but the series often had a serious base. Her husband Walter (Bill Macy) became an alcoholic, and she underwent an abortion, which drew a torrent of viewer protests. Maude became a standard bearer for the growing feminist movement in America.
The ratings of "Maude" in the early years approached those of its parent, "All in the Family," but by 1977 the audience started to dwindle. A major format change was planned, but in early 1978 Arthur announced she was quitting the show.
"It's been absolutely glorious; I've loved every minute of it," she said. "But it's been six years, and I think it's time to leave."
"Golden Girls" (1985-1992) was another groundbreaking comedy, finding surprising success in a television market increasingly skewed toward a younger, product-buying audience.
The series concerned three retirees — Arthur, Betty White and Rue McClanahan — and the mother of Arthur's character, Estelle Getty, who lived together in a Miami apartment. In contrast to the violent "Miami Vice," the comedy was nicknamed "Miami Nice."
As Dorothy Zbornak, Arthur seemed as caustic and domineering as Maude. She was unconcerned about the similarity of the two roles. "Look — I'm 5-feet-9, I have a deep voice and I have a way with a line," she told an interviewer. "What can I do about it? I can't stay home waiting for something different. I think it's a total waste of energy worrying about typecasting."
The interplay among the four women and their relations with men fueled the comedy, and the show amassed a big audience and 10 Emmys, including two as best comedy series and individual awards for each of the stars.
In 1992, Arthur announced she was leaving "Golden Girls." The three other stars returned in "The Golden Palace," but it lasted only one season.
Arthur was born Bernice Frankel in New York City in 1922. When she was 11, her family moved to Cambridge, Md., where her father opened a clothing store. At 12 she had grown to full height, and she dreamed of being a petite blond movie star like June Allyson. There was one advantage of being tall and deep-voiced: She was chosen for the male roles in school plays.
Bernice — she hated the name and adopted her mother's nickname of Bea — overcame shyness about her size by winning over her classmates with wisecracks. She was elected the wittiest girl in her class. After two years at a junior college in Virginia, she earned a degree as a medical lab technician, but she "loathed" doing lab work at a hospital.
Acting held more appeal, and she enrolled in a drama course at the New School of Social Research in New York City. To support herself, she sang in a night spot that required her to push drinks on customers.
During this time she had a brief marriage that provided her stage name of Beatrice Arthur. In 1950, she married again, to Broadway actor and future Tony-winning director Gene Saks.
After a few years in off-Broadway and stock company plays and television dramas, Arthur's career gathered momentum with her role as Lucy Brown in the 1955 production of "The Threepenny Opera."
In 2008, when Arthur was inducted in the TV Academy Hall of Fame, Arthur pointed to the role as the highlight of her long career.
"A lot of that had to do with the fact that I felt, 'Ah, yes, I belong here,'" Arthur said.
More plays and musicals followed, and she also sang in nightclubs and played small roles in TV comedy shows.
Then, in 1964, Harold Prince cast her as Yente the Matchmaker in the original company of "Fiddler on the Roof."
Arthur's biggest Broadway triumph came in 1966 as Vera Charles, Angela Lansbury's acerbic friend in the musical "Mame," directed by Saks. Richard Watts of the New York Post called her performance "a portrait in acid of a savagely witty, cynical and serpent-tongued woman."
She won the Tony as best supporting actress and repeated the role in the unsuccessful film version that also was directed by Saks, starring Lucille Ball as Mame. Arthur would play a variation of Vera Charles in "Maude" and "The Golden Girls."
In 1983, Arthur attempted another series, "Amanda's," an Americanized version of John Cleese's hilarious "Fawlty Towers." She was cast as owner of a small seaside hotel with a staff of eccentrics. It lasted a mere nine episodes.
Between series, Arthur remained active in films and theater. Among the movies: "That Kind of Woman" (1959), "Lovers and Other Strangers" (1970), Mel Brooks ' "The History of the World: Part I" (1981), "For Better or Worse" (1995).
The plays included Woody Allen's "The Floating Light Bulb" and "The Bermuda Avenue Triangle," written by and costarring Renee Taylor and Joseph Bologna. During 2001 and 2002 she toured the country in a one-woman show of songs and stories, "... And Then There's Bea."
Arthur and Saks divorced in 1978 after 28 years. They had two sons, Matthew and Daniel. In his long career, Saks won Tonys for "I Love My Wife," "Brighton Beach Memoirs" and "Biloxi Blues." One of his Tony nominations was for "Mame."
In 1999, Arthur told an interviewer of the three influences in her career: "Sid Caesar taught me the outrageous; (method acting guru) Lee Strasberg taught me what I call reality; and ('Threepenny Opera' star) Lotte Lenya, whom I adored, taught me economy."
In recent years, Arthur made guest appearances on shows including "Curb Your Enthusiasm" and "Malcolm in the Middle." She was chairwoman of the Art Attack Foundation, a non-profit performing arts scholarship organization.
Arthur is survived by her sons and two granddaughters. No funeral services are planned.
Tuesday, March 31, 2009
'Angel' Star Andy Hallett Dies at 33
'Angel' Star Andy Hallett Dies at 33
(March 31) - Andy Hallett, the actor who portrayed the cheerful green-skinned demon Lorne on the TV series 'Angel,' has died from heart failure following a five-year battle against heart disease, according to E! Online. His friend and agent Pat Brady confirmed that the actor passed away at the age of 33 on Sunday night at Cedars-Sinai Hospital in Los Angeles with his father Dave Hallett by his side.
The actor and musician appeared in more than 70 episodes of Joss Whedon's series 'Angel' between 2000 and 2004 and contributed two songs to the 'Angel: Live Fast, Die Never' soundtrack, released in 2005.
Hallet's career took off when he was dragged on stage at a concert to sing with Patti LaBelle. He was later seen in a Los Angeles revue by 'Buffy The Vampire Slayer' creator Joss Whedon, who created the demon character Lorne in the show's spin-off 'Angel' just for him, according to WENN.
A private funeral service will be held for family and close friends in Cape Cod, where Hallett was raised.
(March 31) - Andy Hallett, the actor who portrayed the cheerful green-skinned demon Lorne on the TV series 'Angel,' has died from heart failure following a five-year battle against heart disease, according to E! Online. His friend and agent Pat Brady confirmed that the actor passed away at the age of 33 on Sunday night at Cedars-Sinai Hospital in Los Angeles with his father Dave Hallett by his side.
The actor and musician appeared in more than 70 episodes of Joss Whedon's series 'Angel' between 2000 and 2004 and contributed two songs to the 'Angel: Live Fast, Die Never' soundtrack, released in 2005.
Hallet's career took off when he was dragged on stage at a concert to sing with Patti LaBelle. He was later seen in a Los Angeles revue by 'Buffy The Vampire Slayer' creator Joss Whedon, who created the demon character Lorne in the show's spin-off 'Angel' just for him, according to WENN.
A private funeral service will be held for family and close friends in Cape Cod, where Hallett was raised.
Wednesday, March 18, 2009
Natasha Richardson dies at 45
Natasha Richardson dies at 45 after ski accident
March 18, 2009, 7:01 PM EST
NEW YORK (AP) -- Natasha Richardson, a gifted and precocious heiress to acting royalty whose career highlights included the film "Patty Hearst" and a Tony-winning performance in a stage revival of "Cabaret," died Wednesday at age 45 after suffering a head injury from a skiing accident.
Alan Nierob, the Los Angeles-based publicist for Richardson's husband Liam Neeson, confirmed her death in a written statement.
"Liam Neeson, his sons (Micheal and Daniel), and the entire family are shocked and devastated by the tragic death of their beloved Natasha," the statement said. "They are profoundly grateful for the support, love and prayers of everyone, and ask for privacy during this very difficult time."
The statement did not give details on the cause of death for Richardson, who suffered a head injury when she fell on a beginner's trail during a private ski lesson at the luxury Mont Tremblant ski resort in Quebec. She was hospitalized Tuesday in Montreal and later flown to a hospital in New York.
Family members had been seen coming and going from the New York hospital where Richardson was taken.
Vanessa Redgrave, Richardson's mother, arrived in a car with darkened windows and was taken through a garage when she arrived at the Lenox Hill Hospital on Manhattan's Upper East Side about 5 p.m. Wednesday. An hour earlier, Richardson's sister, Joely, arrived alone and was swarmed by the media as she entered through the back of the hospital.
It was a sudden and horrifying loss for her family and friends, for the film and theater communities, for her many fans and for both her native and adoptive countries. Descended from at least three generations of actors, Richardson was a proper Londoner who came to love the noise of New York, an elegant blonde with large, lively eyes, a bright smile and a hearty laugh.
If she never quite attained the acting heights of her Academy Award-winning mother, she still had enjoyed a long and worthy career. As an actress, Richardson was equally adept at passion and restraint, able to portray besieged women both confessional (Tennessee Williams' Blanche DuBois) and confined (the concubine in the futuristic horror of "The Handmaid's Tale").
Like other family members, she divided her time between stage and screen. On Broadway, she won a Tony for her performance as Sally Bowles in a 1998 revival of "Cabaret." She also appeared in New York in a production of Patrick Marber's "Closer" (1999) as well as 2005 revival of Tennessee Williams' "A Streetcar Named Desire," in which she played Blanche opposite John C. Reilly's Stanley Kowalski.
She met Neeson when they made their Broadway debuts in 1993, co-starring in "Anna Christie," Eugene O'Neill's drama about a former prostitute and the sailor who falls in love with her.
"The astonishing Natasha Richardson ... gives what may prove to be the performance of the season as Anna, turning a heroine who has long been portrayed (and reviled) as a whore with a heart of gold into a tough, ruthlessly unsentimental apostle of O'Neill's tragic understanding of life," The New York Times critic Frank Rich wrote. "Miss Richardson, seeming more like a youthful incarnation of her mother, Vanessa Redgrave, than she has before, is riveting from her first entrance through a saloon doorway's ethereal shaft of golden light."
Her most notable film roles came earlier in her career. Richardson played the title character in Paul Schrader's "Patty Hearst," a 1988 biopic about the kidnapped heiress for which the actress became so immersed that even between scenes she wore a blindfold, the better to identify with her real-life counterpart.
"Natasha Richardson ... has been handed a big unwritten role; she feels her way into it, and she fills it," wrote The New Yorker's Pauline Kael. "We feel how alone and paralyzed Patty is — she retreats into being a hidden observer."
Richardson was directed again by Schrader in a 1990 adaptation of Ian McEwan's "The Comfort of Strangers" and, also in 1990, starred in the screen version of Margaret Atwood's "The Handmaid's Tale."
She later co-starred with Neeson in "Nell," with Mia Farrow in "Widow's Peak" and with a pre-teen Lindsay Lohan in a remake of "The Parent Trap." More recent movies, none of them widely seen, included "Wild Child," "Evening" and "Asylum."
She was born in London in 1963, the performing gene inherited not just from her parents (Vanessa Redgrave and director Tony Richardson), but from her maternal grandparents (Michael Redgrave and Rachel Kempson), an aunt (Lynn Redgrave) and an uncle (Corin Redgrave). Her younger sister, Joely Richardson, also joined the family business.
Friends and family members remembered Natasha as an unusually poised child, perhaps forced to grow up early when her father left her mother in the late '60s for Jeanne Moreau. (Tony Richardson died in 1991).
Interviewed by The Associated Press in 2001, Natasha Richardson said she related well to her family if only because, "We've all been through it in one way or another and so we've had to be strong. Also we embrace life. We are not cynical about life."
Richardson always planned to act, apart from one brief childhood moment when she wanted to be a flight attendant — "wonderful irony now since I hate to fly and have to take a pill in order to get on a plane. I'm so terrified."
Her screen debut came at age 4 when she appeared as a flower girl in "The Charge of the Light Brigade," directed by her father, whose movies included "Tom Jones" and "The Entertainer." The show business wand had already tapped her the year before, when she saw her mother in the 1967 film version of the Broadway show "Camelot."
"She was so beautiful. I still look at that movie and I can't believe it. It still makes me cry, the beauty of it. I could go on and on — in that white fur hooded thing, when she comes through the forest for the first time. You've never seen anything so beautiful!" Richardson said.
She studied at London's Central School of Speech and Drama and was an experienced stage actress by her early 20s, appearing in "On the Razzle," "Charley's Aunt" and "The Seagull," for which the London Drama Critics awarded her most promising newcomer.
Although she never shared her mother's fiercely expressed political views, they were close professionally and acted together, most recently on Broadway to play the roles of mother and daughter in a one-night benefit concert version of "A Little Night Music," the Stephen Sondheim-Hugh Wheeler musical.
Before meeting up with Neeson (who called her "Tash") Richardson was married to theater and producer Robert Fox, whose credits include the 1985 staging of "The Seagull" in which his future wife appeared.
She sometimes remarked on the differences between her and her second husband — she from a theatrical dynasty and he from a working-class background in Northern Ireland.
"He's more laid back, happy to see what happens, whereas I'm a doer and I plan ahead," Richardson told The Independent on Sunday newspaper in 2003. "The differences sometimes get in the way but they can be the very things that feed a marriage, too."
She once said that Neeson's serious injury in a 2000 motorcycle accident — he suffered a crushed pelvis after colliding with a deer in upstate New York — had made her really appreciate life.
"I wake up every morning feeling lucky — which is driven by fear, no doubt, since I know it could all go away," she told The Daily Telegraph newspaper in 2003.
March 18, 2009, 7:01 PM EST
NEW YORK (AP) -- Natasha Richardson, a gifted and precocious heiress to acting royalty whose career highlights included the film "Patty Hearst" and a Tony-winning performance in a stage revival of "Cabaret," died Wednesday at age 45 after suffering a head injury from a skiing accident.
Alan Nierob, the Los Angeles-based publicist for Richardson's husband Liam Neeson, confirmed her death in a written statement.
"Liam Neeson, his sons (Micheal and Daniel), and the entire family are shocked and devastated by the tragic death of their beloved Natasha," the statement said. "They are profoundly grateful for the support, love and prayers of everyone, and ask for privacy during this very difficult time."
The statement did not give details on the cause of death for Richardson, who suffered a head injury when she fell on a beginner's trail during a private ski lesson at the luxury Mont Tremblant ski resort in Quebec. She was hospitalized Tuesday in Montreal and later flown to a hospital in New York.
Family members had been seen coming and going from the New York hospital where Richardson was taken.
Vanessa Redgrave, Richardson's mother, arrived in a car with darkened windows and was taken through a garage when she arrived at the Lenox Hill Hospital on Manhattan's Upper East Side about 5 p.m. Wednesday. An hour earlier, Richardson's sister, Joely, arrived alone and was swarmed by the media as she entered through the back of the hospital.
It was a sudden and horrifying loss for her family and friends, for the film and theater communities, for her many fans and for both her native and adoptive countries. Descended from at least three generations of actors, Richardson was a proper Londoner who came to love the noise of New York, an elegant blonde with large, lively eyes, a bright smile and a hearty laugh.
If she never quite attained the acting heights of her Academy Award-winning mother, she still had enjoyed a long and worthy career. As an actress, Richardson was equally adept at passion and restraint, able to portray besieged women both confessional (Tennessee Williams' Blanche DuBois) and confined (the concubine in the futuristic horror of "The Handmaid's Tale").
Like other family members, she divided her time between stage and screen. On Broadway, she won a Tony for her performance as Sally Bowles in a 1998 revival of "Cabaret." She also appeared in New York in a production of Patrick Marber's "Closer" (1999) as well as 2005 revival of Tennessee Williams' "A Streetcar Named Desire," in which she played Blanche opposite John C. Reilly's Stanley Kowalski.
She met Neeson when they made their Broadway debuts in 1993, co-starring in "Anna Christie," Eugene O'Neill's drama about a former prostitute and the sailor who falls in love with her.
"The astonishing Natasha Richardson ... gives what may prove to be the performance of the season as Anna, turning a heroine who has long been portrayed (and reviled) as a whore with a heart of gold into a tough, ruthlessly unsentimental apostle of O'Neill's tragic understanding of life," The New York Times critic Frank Rich wrote. "Miss Richardson, seeming more like a youthful incarnation of her mother, Vanessa Redgrave, than she has before, is riveting from her first entrance through a saloon doorway's ethereal shaft of golden light."
Her most notable film roles came earlier in her career. Richardson played the title character in Paul Schrader's "Patty Hearst," a 1988 biopic about the kidnapped heiress for which the actress became so immersed that even between scenes she wore a blindfold, the better to identify with her real-life counterpart.
"Natasha Richardson ... has been handed a big unwritten role; she feels her way into it, and she fills it," wrote The New Yorker's Pauline Kael. "We feel how alone and paralyzed Patty is — she retreats into being a hidden observer."
Richardson was directed again by Schrader in a 1990 adaptation of Ian McEwan's "The Comfort of Strangers" and, also in 1990, starred in the screen version of Margaret Atwood's "The Handmaid's Tale."
She later co-starred with Neeson in "Nell," with Mia Farrow in "Widow's Peak" and with a pre-teen Lindsay Lohan in a remake of "The Parent Trap." More recent movies, none of them widely seen, included "Wild Child," "Evening" and "Asylum."
She was born in London in 1963, the performing gene inherited not just from her parents (Vanessa Redgrave and director Tony Richardson), but from her maternal grandparents (Michael Redgrave and Rachel Kempson), an aunt (Lynn Redgrave) and an uncle (Corin Redgrave). Her younger sister, Joely Richardson, also joined the family business.
Friends and family members remembered Natasha as an unusually poised child, perhaps forced to grow up early when her father left her mother in the late '60s for Jeanne Moreau. (Tony Richardson died in 1991).
Interviewed by The Associated Press in 2001, Natasha Richardson said she related well to her family if only because, "We've all been through it in one way or another and so we've had to be strong. Also we embrace life. We are not cynical about life."
Richardson always planned to act, apart from one brief childhood moment when she wanted to be a flight attendant — "wonderful irony now since I hate to fly and have to take a pill in order to get on a plane. I'm so terrified."
Her screen debut came at age 4 when she appeared as a flower girl in "The Charge of the Light Brigade," directed by her father, whose movies included "Tom Jones" and "The Entertainer." The show business wand had already tapped her the year before, when she saw her mother in the 1967 film version of the Broadway show "Camelot."
"She was so beautiful. I still look at that movie and I can't believe it. It still makes me cry, the beauty of it. I could go on and on — in that white fur hooded thing, when she comes through the forest for the first time. You've never seen anything so beautiful!" Richardson said.
She studied at London's Central School of Speech and Drama and was an experienced stage actress by her early 20s, appearing in "On the Razzle," "Charley's Aunt" and "The Seagull," for which the London Drama Critics awarded her most promising newcomer.
Although she never shared her mother's fiercely expressed political views, they were close professionally and acted together, most recently on Broadway to play the roles of mother and daughter in a one-night benefit concert version of "A Little Night Music," the Stephen Sondheim-Hugh Wheeler musical.
Before meeting up with Neeson (who called her "Tash") Richardson was married to theater and producer Robert Fox, whose credits include the 1985 staging of "The Seagull" in which his future wife appeared.
She sometimes remarked on the differences between her and her second husband — she from a theatrical dynasty and he from a working-class background in Northern Ireland.
"He's more laid back, happy to see what happens, whereas I'm a doer and I plan ahead," Richardson told The Independent on Sunday newspaper in 2003. "The differences sometimes get in the way but they can be the very things that feed a marriage, too."
She once said that Neeson's serious injury in a 2000 motorcycle accident — he suffered a crushed pelvis after colliding with a deer in upstate New York — had made her really appreciate life.
"I wake up every morning feeling lucky — which is driven by fear, no doubt, since I know it could all go away," she told The Daily Telegraph newspaper in 2003.
Tuesday, March 17, 2009
Natasha Richardson critically injured....sad update
Natasha Richardson critically injured
Actress hospitalized after ski accident
Updated: Tuesday, 17 Mar 2009, 12:25 PM EDT
Published : Tuesday, 17 Mar 2009, 6:46 AM EDT
MONTREAL (AP) - British actress Natasha Richardson was hospitalized after falling on a beginners trail at the famed Mont Tremblant ski resort during a lesson, the resort and published reports said Tuesday.
IrishCentral.com reported that the Tony Award-winning actress and wife of Liam Neeson was in critical condition with a head injury.
Richardson, 45, is the elder daughter of Oscar-winning actress Vanessa Redgrave and the late director Tony Richardson, and belongs to a British acting dynasty.
"We know that she has had an accident but we really do not know any more details," said Kika Markham, who is married to Richardson's uncle, Corin Redgrave. "We are very concerned."
Her maternal grandparents were the actors Michael Redgrave and Rachel Kempson, and her uncle Corin and aunt Lynne Redgrave are also both actors. Sister Joely Richardson is also an actress, best known for starring in the TV series "Nip/Tuck."
Mont Tremblant said Richardson fell on a beginners trail during a ski lesson and later reported not felling well.
"She did not show any visible sign of injury but the ski patrol followed strict procedures and brought her back to the bottom of
the slope and insisted she should see a doctor," said a statement
from the resort.
The ski resort said the ski instructor and a ski patrol accompanied Richardson to her hotel, where they again recommended she should be seen by a doctor.
"Approximately an hour after the incident Mrs. Richardson was not feeling good," the statement said.
Mont Tremblant spokeswoman Catherine Lacasse said Richardson was getting a private lesson and that she said she was fine at first.
"An hour later she said she didn't feel well. She had a headache, so we sent her to the hospital," Lacasse said. "There were no signs of impact and no blood, nothing."
An ambulance was called and Richardson was brought to the Centre Hospitalier Laurentien in Ste-Agathe and was later transferred to Hopital du Sacre-Coeur in Montreal. An employee at Hopital du Sacre-Coeur in Montreal said they didn't have a Richardson at the hospital after intiailly saying they did early Tuesday.
Richardson's films include "Gothic," "A Month in the Country," "Nell" -- in which she appeared with future husband Liam Neeson -- "The Parent Trap" and "Maid in Manhattan."
Trained at London's Central School of Speech and Drama, Richardson has had extensive stage experience in the West End and Broadway. She won a Tony Award in 1998 for playing Sally Bowles in "Cabaret."
In January, Richardson and her mother played the roles of mother and daughter in a one-night benefit concert version of "A Little Night Music," the Stephen Sondheim-Hugh Wheeler musical, at the Nokia Theatre Times Square in New York.
She married Neeson in 1994, and the couple have two sons.
UPDATE!!:
Richardson has been found to be brain dead and will be taken off life support.
Actress hospitalized after ski accident
Updated: Tuesday, 17 Mar 2009, 12:25 PM EDT
Published : Tuesday, 17 Mar 2009, 6:46 AM EDT
MONTREAL (AP) - British actress Natasha Richardson was hospitalized after falling on a beginners trail at the famed Mont Tremblant ski resort during a lesson, the resort and published reports said Tuesday.
IrishCentral.com reported that the Tony Award-winning actress and wife of Liam Neeson was in critical condition with a head injury.
Richardson, 45, is the elder daughter of Oscar-winning actress Vanessa Redgrave and the late director Tony Richardson, and belongs to a British acting dynasty.
"We know that she has had an accident but we really do not know any more details," said Kika Markham, who is married to Richardson's uncle, Corin Redgrave. "We are very concerned."
Her maternal grandparents were the actors Michael Redgrave and Rachel Kempson, and her uncle Corin and aunt Lynne Redgrave are also both actors. Sister Joely Richardson is also an actress, best known for starring in the TV series "Nip/Tuck."
Mont Tremblant said Richardson fell on a beginners trail during a ski lesson and later reported not felling well.
"She did not show any visible sign of injury but the ski patrol followed strict procedures and brought her back to the bottom of
the slope and insisted she should see a doctor," said a statement
from the resort.
The ski resort said the ski instructor and a ski patrol accompanied Richardson to her hotel, where they again recommended she should be seen by a doctor.
"Approximately an hour after the incident Mrs. Richardson was not feeling good," the statement said.
Mont Tremblant spokeswoman Catherine Lacasse said Richardson was getting a private lesson and that she said she was fine at first.
"An hour later she said she didn't feel well. She had a headache, so we sent her to the hospital," Lacasse said. "There were no signs of impact and no blood, nothing."
An ambulance was called and Richardson was brought to the Centre Hospitalier Laurentien in Ste-Agathe and was later transferred to Hopital du Sacre-Coeur in Montreal. An employee at Hopital du Sacre-Coeur in Montreal said they didn't have a Richardson at the hospital after intiailly saying they did early Tuesday.
Richardson's films include "Gothic," "A Month in the Country," "Nell" -- in which she appeared with future husband Liam Neeson -- "The Parent Trap" and "Maid in Manhattan."
Trained at London's Central School of Speech and Drama, Richardson has had extensive stage experience in the West End and Broadway. She won a Tony Award in 1998 for playing Sally Bowles in "Cabaret."
In January, Richardson and her mother played the roles of mother and daughter in a one-night benefit concert version of "A Little Night Music," the Stephen Sondheim-Hugh Wheeler musical, at the Nokia Theatre Times Square in New York.
She married Neeson in 1994, and the couple have two sons.
UPDATE!!:
Richardson has been found to be brain dead and will be taken off life support.
Monday, March 16, 2009
Actor Ron Silver dies in NYC at age 62 of cancer
Actor Ron Silver dies in NYC at age 62 of cancer
March 16, 2009, 1:50 AM EST
NEW YORK (AP) -- Actor Ron Silver, who won a Tony Award as a take-no-prisoners Hollywood producer in David Mamet's "Speed-the-Plow" and did a political about-face from loyal Democrat to Republican activist after the Sept. 11 attacks, died Sunday at the age of 62.
"Ron Silver died peacefully in his sleep with his family around him early Sunday morning" in New York City, said Robin Bronk, executive director of the Creative Coalition, which Silver helped found. "He had been fighting esophageal cancer for two years."
Silver, an Emmy nominee for a recurring role as a slick strategist for liberal President Jed Bartlet on "The West Wing," had a long history of balancing acting with left-leaning social and political causes.
But after the 2001 terrorist attacks, longtime Democrat Silver turned heads in Hollywood with outspoken support of President George W. Bush over the wars in Iraq and Afghanistan.
Silver spoke at the 2004 Republican National Convention, began referring to himself as a "9/11 Republican" and reregistered as an independent.
In an interview with The Associated Press a month later, Silver said his support for the war on terror was costing him work in liberal-minded Hollywood.
"It's affected me very badly. I can't point to a person or a job I've lost, but this community is not very pluralistic," Silver told the AP.
"I haven't worked for 10 months."
His switch to a more conservative image threatened to overshadow an esteemed career on stage, television and film, along with his long history of activism, which included co-founding the nonpartisan Creative Coalition, an advocacy group for entertainers.
"He was a talented actor, a scholar and a great believer in participatory democracy," Bronk said Sunday evening. "He was an activist who became a great artist and his contributions will never be forgotten."
His big-screen credits included "Ali," "Reversal of Fortune," "Enemies: A Love Story," "Silkwood" and "Semi-Tough."
Besides "The West Wing," Silver was a regular or had recurring roles on such TV shows as "Veronica's Closet," "Chicago Hope" and "Wiseguy." He directed and costarred in the 1993 TV movie "Lifepod," a science-fiction update of Alfred Hitchcock's "Lifeboat."
Silver's Tony for "Speed-the-Plow" came in 1988, a year after he earned his first Emmy nomination, for the murder thriller "Billionaire Boys Club."
Silver still found work despite his conservative shift, appearing in episodes of "Law & Order" and "Crossing Jordan" and such movies as "Find Me Guilty" and the Ten Commandments comedy "The Ten."
He continued his recurring role on "The West Wing," joking that he faced some taunting over his views from co-workers on the show which took place in a fiercely liberal White House administration.
"Often when I walked onto the set of 'The West Wing' some of my colleagues would greet me with a chanting of 'Ron, Ron, the neo-con.' It was all done in fun but it had an edge," Silver wrote in a Nov. 15, 2007, entry of his blog on the Pajamas Media Web site.
Silver's on-screen work rankled liberals, too. He narrated 2004's "Fahrenhype 9/11," a deconstruction of Michael Moore's Bush-bashing hit documentary "Fahrenheit 9/11."
"Michael Moore and that faction of the party was one of the factors that did not let me support the Democratic nominee this year," Silver told the AP in 2004. "He is a charlatan in a clown suit."
Born July 2, 1946, in New York City, he was the son of Irving and May Silver. His father worked in New York's garment industry and his mother was a teacher.
Earning a bachelor's degree from the State University of New York at Buffalo and a master's degree in Chinese history from St. John's University, Silver studied drama at the Herbert Berghof Studio and the Actors Studio.
In the 1970s, he gradually moved from theater work in New York City into television and film. His early credits included "The Mac Davis Show," "Rhoda" and "The Stockard Channing Show."
Silver and ex-wife Lynne Miller had a son, Adam, and daughter, Alexandra.
Whichever end of the political spectrum his activism fell, Silver viewed such involvement as something of a duty for entertainers.
"I think there's almost an obligation," he said in a 1991 interview with the AP. "Many of us are very well compensated for work which a lot of people would love to do. And we also have a lot of leisure time in between jobs. ...
"They say that Hollywood is sex without substance, and Washington is substance without sex, so maybe the marriage of the two is mutually intriguing."
March 16, 2009, 1:50 AM EST
NEW YORK (AP) -- Actor Ron Silver, who won a Tony Award as a take-no-prisoners Hollywood producer in David Mamet's "Speed-the-Plow" and did a political about-face from loyal Democrat to Republican activist after the Sept. 11 attacks, died Sunday at the age of 62.
"Ron Silver died peacefully in his sleep with his family around him early Sunday morning" in New York City, said Robin Bronk, executive director of the Creative Coalition, which Silver helped found. "He had been fighting esophageal cancer for two years."
Silver, an Emmy nominee for a recurring role as a slick strategist for liberal President Jed Bartlet on "The West Wing," had a long history of balancing acting with left-leaning social and political causes.
But after the 2001 terrorist attacks, longtime Democrat Silver turned heads in Hollywood with outspoken support of President George W. Bush over the wars in Iraq and Afghanistan.
Silver spoke at the 2004 Republican National Convention, began referring to himself as a "9/11 Republican" and reregistered as an independent.
In an interview with The Associated Press a month later, Silver said his support for the war on terror was costing him work in liberal-minded Hollywood.
"It's affected me very badly. I can't point to a person or a job I've lost, but this community is not very pluralistic," Silver told the AP.
"I haven't worked for 10 months."
His switch to a more conservative image threatened to overshadow an esteemed career on stage, television and film, along with his long history of activism, which included co-founding the nonpartisan Creative Coalition, an advocacy group for entertainers.
"He was a talented actor, a scholar and a great believer in participatory democracy," Bronk said Sunday evening. "He was an activist who became a great artist and his contributions will never be forgotten."
His big-screen credits included "Ali," "Reversal of Fortune," "Enemies: A Love Story," "Silkwood" and "Semi-Tough."
Besides "The West Wing," Silver was a regular or had recurring roles on such TV shows as "Veronica's Closet," "Chicago Hope" and "Wiseguy." He directed and costarred in the 1993 TV movie "Lifepod," a science-fiction update of Alfred Hitchcock's "Lifeboat."
Silver's Tony for "Speed-the-Plow" came in 1988, a year after he earned his first Emmy nomination, for the murder thriller "Billionaire Boys Club."
Silver still found work despite his conservative shift, appearing in episodes of "Law & Order" and "Crossing Jordan" and such movies as "Find Me Guilty" and the Ten Commandments comedy "The Ten."
He continued his recurring role on "The West Wing," joking that he faced some taunting over his views from co-workers on the show which took place in a fiercely liberal White House administration.
"Often when I walked onto the set of 'The West Wing' some of my colleagues would greet me with a chanting of 'Ron, Ron, the neo-con.' It was all done in fun but it had an edge," Silver wrote in a Nov. 15, 2007, entry of his blog on the Pajamas Media Web site.
Silver's on-screen work rankled liberals, too. He narrated 2004's "Fahrenhype 9/11," a deconstruction of Michael Moore's Bush-bashing hit documentary "Fahrenheit 9/11."
"Michael Moore and that faction of the party was one of the factors that did not let me support the Democratic nominee this year," Silver told the AP in 2004. "He is a charlatan in a clown suit."
Born July 2, 1946, in New York City, he was the son of Irving and May Silver. His father worked in New York's garment industry and his mother was a teacher.
Earning a bachelor's degree from the State University of New York at Buffalo and a master's degree in Chinese history from St. John's University, Silver studied drama at the Herbert Berghof Studio and the Actors Studio.
In the 1970s, he gradually moved from theater work in New York City into television and film. His early credits included "The Mac Davis Show," "Rhoda" and "The Stockard Channing Show."
Silver and ex-wife Lynne Miller had a son, Adam, and daughter, Alexandra.
Whichever end of the political spectrum his activism fell, Silver viewed such involvement as something of a duty for entertainers.
"I think there's almost an obligation," he said in a 1991 interview with the AP. "Many of us are very well compensated for work which a lot of people would love to do. And we also have a lot of leisure time in between jobs. ...
"They say that Hollywood is sex without substance, and Washington is substance without sex, so maybe the marriage of the two is mutually intriguing."
Saturday, February 7, 2009
Actor James Whitmore Dies of Lung Cancer
Actor James Whitmore Dies of Lung Cancer
By BOB THOMAS
,
LOS ANGELES (Feb. 7) - James Whitmore, the many-faceted character actor who delivered strong performances in movies, television and especially the theater with his popular one-man shows about Harry Truman, Will Rogers and Theodore Roosevelt, died Friday, his son said. He was 87. Moviefans will recognize him instantly as Brooks, a reformed criminal who can't handle the pressures of the world outside prison in 'The Shawshank Redemption.'
The Emmy- and Tony-winning actor was diagnosed with lung cancer the week before Thanksgiving and died Friday afternoon at his Malibu home, Steve Whitmore said.
"My father believed that family came before everything, that work was just a vehicle in which to provide for your family," said Whitmore, who works as spokesman for the Los Angeles County Sheriff's Department. "At the end, and in the last two and a half months of his life, he was surrounded by his family."
His long-running "Give 'em Hell, Harry," tracing the life of the 33rd president, was released as a theatrical movie in 1975. Whitmore was nominated for an Academy Award as best actor, marking the only time in Oscar history that an actor has been nominated for a film in which he was the only cast member. His Teddy Roosevelt portrait, "Bully," was also converted into a movie.
He later became the TV pitchman for Miracle-Gro plant food, and used the product in his large vegetable garden at his Malibu home.
While not known for his politics, Whitmore was an early supporter of President Barack Obama. He stumped for Obama during a 2007 rally at the Gibson Theatre at Universal Studios, telling the crowd that Obama had the wisdom "to deal with a very, very confused and complex country, and the world." Whitmore also appeared in TV commercials in 2008 for the "First Freedom First" campaign, which advocates religious liberty and preserving the separation of church and state.
Whitmore had regularly attended an Oscar night bash, Night of 100 Stars, and had sent in his RSVP for this year, said Edward Lozzi, a spokesman for agent Norby Walters' gala.
Whitmore started both his Broadway and Hollywood careers with acclaimed performances, both as tough-talking sergeants. In 1947, discharged a year from Marine duty, he made his Broadway debut in a taut Air Force drama, "Command Decision." He was awarded a Tony for outstanding performance by a newcomer.
Two years later, Whitmore was nominated for an Academy Award and won a Golden Globe as supporting actor in the war movie "Battleground."
He followed with memorable performances in scores of films, refusing to be typed. Besides war movies, he appeared in Westerns ("The Last Frontier," "Chato's Land"), musicals ("Kiss Me Kate," "Oklahoma!"), science fiction ("Planet of the Apes," "Them"), dramas ("The Asphalt Jungle," "The Shawshank Redemption") and comedies ("Mr. O'Malley and Mrs. Malone," "The Great Diamond Robbery.")
Shirley Jones, a teenager when she starred in "Oklahoma," said she came to know Whitmore during months of filming in Nogales, Ariz., and recalled being impressed by her good-humored and highly disciplined colleague.
"He told me, `If you're going to be in this business, you better learn your craft,'" Jones recalled. "And he never stopped learning."
His favorite film was "Black Like Me" (1964), a true story about a white reporter who used medication to blacken his skin to experience life as an African-American in the South.
Another of his rare starring roles was "The Next Voice You Hear" (1950), in which a family hears the voice of God via the radio. He played opposite Nancy Davis, the future Mrs. Ronald Reagan.
Whitmore often appeared on television, starring in the series "The Law and Mr. Jones" (1960-1962), "My Friend Tony" (1969) and "Temperatures Rising" (1972-1973). He received an Emmy in 1999 as guest actor in a series for "The Practice."
Jones recalled seeing him in a 2007 episode of the TV drama "CSI: Crime Scene Investigation" and marveling at his still-sharp talent. "I was absolutely blown away by that. He had a huge role, playing a lawyer, and it was phenomenal," she said.
A student of history, Whitmore delighted in portraying famous American personages. He toured in the play "The Magnificent Yankee," about Supreme Court Justice Oliver Wendell Holmes Jr. He played Ulysses S. Grant in a 1960 TV movie, Adm. William F. "Bull" Halsey in the Pearl Harbor attack spectacle "Tora! Tora! Tora!", and Walt Whitman in a dramatic reading, "A Whitman Portrait."
The monologues of Harry Truman, Will Rogers and Teddy Roosevelt brought Whitmore his greatest success. In 2000, he appeared in "Will Rogers, U.S.A." at Ford's Theater in Washington, D.C., his eighth engagement in the show at Ford's over a 30-year period.
President Ford attended a performance of "Give 'em Hell, Harry" at Ford's Theater after Richard Nixon resigned. Whitmore worried about Ford's reaction to Truman's crusty words about Nixon.
The actor recalled: "I was three feet from Gerry Ford when I said to the press as Truman: `Nixon is a no-good lying (expletive); if he ever caught himself telling the truth, he'd tell a lie just to keep his hand in.' After the show, (Ford) came up on stage and put his arm around me and said, `That was a pretty good blocking back.'" Ford had been line coach when Whitmore played football at Yale.
His movie and television careers continued into the 21st century, but he admitted that he preferred the stage.
"I find the process of making movies absolutely boring," he told a reporter in 1994. "It's so fragmented. You wait and wait and wait and then, look, as Jack Lemmon says, `It's magic time.' In the theater, once the curtain goes up, the actor is in charge."
Born in 1921 in White Plains, N.Y., Whitmore was active in school sports and acted in Gilbert and Sullivan operettas, though his strict Methodist family disapproved of the profession. After a year at an Ivy League prep school, Whitmore in 1939 enrolled in prelaw at Yale University, where he had won a football scholarship. Two knee injuries ended his football career, and he devoted himself to dramatics.
After graduating from Yale, he enlisted in the Marines and served in the South Pacific. "I had a lot of time to think in the Marine Corps," he recalled, "and so I decided it wasn't the law I wanted but the theater.
In New York he studied at the American Theater Wing under the G.I. Bill, living on $20 a week and rooming with another hopeful actor, Jack Warden. After a season in summer stock in New Hampshire, he returned to New York and won the role of Sergeant Harold Evans in "Command Decision." Rave reviews started his career in motion.
He married Nancy Mygatt in 1947, and the couple had three sons, James, Steven and Daniel. They later divorced, and in 1971 he married an actress, Audra Lindley. They often appeared in plays together, even after their 1979 divorce. He remarried his first wife in the 1980s, but another divorce ensued. Nearing 80 in 2001, Whitmore married actress-writer Noreen Nash.
Whitmore is also survived by eight grandchildren.
By BOB THOMAS
,
LOS ANGELES (Feb. 7) - James Whitmore, the many-faceted character actor who delivered strong performances in movies, television and especially the theater with his popular one-man shows about Harry Truman, Will Rogers and Theodore Roosevelt, died Friday, his son said. He was 87. Moviefans will recognize him instantly as Brooks, a reformed criminal who can't handle the pressures of the world outside prison in 'The Shawshank Redemption.'
The Emmy- and Tony-winning actor was diagnosed with lung cancer the week before Thanksgiving and died Friday afternoon at his Malibu home, Steve Whitmore said.
"My father believed that family came before everything, that work was just a vehicle in which to provide for your family," said Whitmore, who works as spokesman for the Los Angeles County Sheriff's Department. "At the end, and in the last two and a half months of his life, he was surrounded by his family."
His long-running "Give 'em Hell, Harry," tracing the life of the 33rd president, was released as a theatrical movie in 1975. Whitmore was nominated for an Academy Award as best actor, marking the only time in Oscar history that an actor has been nominated for a film in which he was the only cast member. His Teddy Roosevelt portrait, "Bully," was also converted into a movie.
He later became the TV pitchman for Miracle-Gro plant food, and used the product in his large vegetable garden at his Malibu home.
While not known for his politics, Whitmore was an early supporter of President Barack Obama. He stumped for Obama during a 2007 rally at the Gibson Theatre at Universal Studios, telling the crowd that Obama had the wisdom "to deal with a very, very confused and complex country, and the world." Whitmore also appeared in TV commercials in 2008 for the "First Freedom First" campaign, which advocates religious liberty and preserving the separation of church and state.
Whitmore had regularly attended an Oscar night bash, Night of 100 Stars, and had sent in his RSVP for this year, said Edward Lozzi, a spokesman for agent Norby Walters' gala.
Whitmore started both his Broadway and Hollywood careers with acclaimed performances, both as tough-talking sergeants. In 1947, discharged a year from Marine duty, he made his Broadway debut in a taut Air Force drama, "Command Decision." He was awarded a Tony for outstanding performance by a newcomer.
Two years later, Whitmore was nominated for an Academy Award and won a Golden Globe as supporting actor in the war movie "Battleground."
He followed with memorable performances in scores of films, refusing to be typed. Besides war movies, he appeared in Westerns ("The Last Frontier," "Chato's Land"), musicals ("Kiss Me Kate," "Oklahoma!"), science fiction ("Planet of the Apes," "Them"), dramas ("The Asphalt Jungle," "The Shawshank Redemption") and comedies ("Mr. O'Malley and Mrs. Malone," "The Great Diamond Robbery.")
Shirley Jones, a teenager when she starred in "Oklahoma," said she came to know Whitmore during months of filming in Nogales, Ariz., and recalled being impressed by her good-humored and highly disciplined colleague.
"He told me, `If you're going to be in this business, you better learn your craft,'" Jones recalled. "And he never stopped learning."
His favorite film was "Black Like Me" (1964), a true story about a white reporter who used medication to blacken his skin to experience life as an African-American in the South.
Another of his rare starring roles was "The Next Voice You Hear" (1950), in which a family hears the voice of God via the radio. He played opposite Nancy Davis, the future Mrs. Ronald Reagan.
Whitmore often appeared on television, starring in the series "The Law and Mr. Jones" (1960-1962), "My Friend Tony" (1969) and "Temperatures Rising" (1972-1973). He received an Emmy in 1999 as guest actor in a series for "The Practice."
Jones recalled seeing him in a 2007 episode of the TV drama "CSI: Crime Scene Investigation" and marveling at his still-sharp talent. "I was absolutely blown away by that. He had a huge role, playing a lawyer, and it was phenomenal," she said.
A student of history, Whitmore delighted in portraying famous American personages. He toured in the play "The Magnificent Yankee," about Supreme Court Justice Oliver Wendell Holmes Jr. He played Ulysses S. Grant in a 1960 TV movie, Adm. William F. "Bull" Halsey in the Pearl Harbor attack spectacle "Tora! Tora! Tora!", and Walt Whitman in a dramatic reading, "A Whitman Portrait."
The monologues of Harry Truman, Will Rogers and Teddy Roosevelt brought Whitmore his greatest success. In 2000, he appeared in "Will Rogers, U.S.A." at Ford's Theater in Washington, D.C., his eighth engagement in the show at Ford's over a 30-year period.
President Ford attended a performance of "Give 'em Hell, Harry" at Ford's Theater after Richard Nixon resigned. Whitmore worried about Ford's reaction to Truman's crusty words about Nixon.
The actor recalled: "I was three feet from Gerry Ford when I said to the press as Truman: `Nixon is a no-good lying (expletive); if he ever caught himself telling the truth, he'd tell a lie just to keep his hand in.' After the show, (Ford) came up on stage and put his arm around me and said, `That was a pretty good blocking back.'" Ford had been line coach when Whitmore played football at Yale.
His movie and television careers continued into the 21st century, but he admitted that he preferred the stage.
"I find the process of making movies absolutely boring," he told a reporter in 1994. "It's so fragmented. You wait and wait and wait and then, look, as Jack Lemmon says, `It's magic time.' In the theater, once the curtain goes up, the actor is in charge."
Born in 1921 in White Plains, N.Y., Whitmore was active in school sports and acted in Gilbert and Sullivan operettas, though his strict Methodist family disapproved of the profession. After a year at an Ivy League prep school, Whitmore in 1939 enrolled in prelaw at Yale University, where he had won a football scholarship. Two knee injuries ended his football career, and he devoted himself to dramatics.
After graduating from Yale, he enlisted in the Marines and served in the South Pacific. "I had a lot of time to think in the Marine Corps," he recalled, "and so I decided it wasn't the law I wanted but the theater.
In New York he studied at the American Theater Wing under the G.I. Bill, living on $20 a week and rooming with another hopeful actor, Jack Warden. After a season in summer stock in New Hampshire, he returned to New York and won the role of Sergeant Harold Evans in "Command Decision." Rave reviews started his career in motion.
He married Nancy Mygatt in 1947, and the couple had three sons, James, Steven and Daniel. They later divorced, and in 1971 he married an actress, Audra Lindley. They often appeared in plays together, even after their 1979 divorce. He remarried his first wife in the 1980s, but another divorce ensued. Nearing 80 in 2001, Whitmore married actress-writer Noreen Nash.
Whitmore is also survived by eight grandchildren.
Saturday, May 24, 2008
'Harry Potter' actor fatally stabbed in London
'Harry Potter' actor fatally stabbed in London
Teenage actor from forthcoming film killed in late-night bar brawl
A teenage actor who will appear in the forthcoming "Harry Potter" movie was stabbed to death in a brawl outside a south London bar early Saturday, police said.
Rob Knox, 18, was caught up in a fight outside the Metro Bar in Sidcup just after midnight, London's Metropolitan Police said in a statement. The teen's death, less than two weeks after another youngster was brutally slain only a few miles away, has focused the British capital's attention on knife crime.
Knox plays Ravenclaw student Marcus Belby in "Harry Potter And The Half-Blood Prince," the sixth cinematic installment of the wildly popular Harry Potter series, set for release this fall. Warner Brothers said it was shocked by the news.
Story continues below ↓advertisement
Click Here!
Knox was one of five young men and boys taken to various hospitals across the capital after the brawl, police said. Among them was a 21-year-old who has since been arrested on suspicion of murder.
The fight did not appear to be gang-related, police added, but it puts the number of violent teenage deaths in London at 14 so far this year. Knox played on the same rugby club as another recent teenage victim, Jimmy Mizen, who was fatally stuck with a piece of glass outside a south London bakery earlier this month after refusing to take part in a fight.
England and Wales' homicide rate is more than three times lower than that of the U.S., according to 2005 statistics, but the parade of young victims on the nightly news has disquieted Londoners.
The city's new mayor, Boris Johnson, won election on promises to tackle violent crime. And the Metropolitan Police have recently kicked off an aggressive new program to search anyone they wish for knives without having to justify their suspicions beforehand.
England's children's commissioner, Sir Al Aynsley-Green, has warned the searches could backfire if they build hostility among young people.
"There is a balance here," Aynsley-Green told British Broadcasting Corp. television Saturday. "On the one hand for young people to feel safer by having the presence of the police, but on the other hand making sure the new powers don't create further antagonism by increased stopping and searching."
Teenage actor from forthcoming film killed in late-night bar brawl
A teenage actor who will appear in the forthcoming "Harry Potter" movie was stabbed to death in a brawl outside a south London bar early Saturday, police said.
Rob Knox, 18, was caught up in a fight outside the Metro Bar in Sidcup just after midnight, London's Metropolitan Police said in a statement. The teen's death, less than two weeks after another youngster was brutally slain only a few miles away, has focused the British capital's attention on knife crime.
Knox plays Ravenclaw student Marcus Belby in "Harry Potter And The Half-Blood Prince," the sixth cinematic installment of the wildly popular Harry Potter series, set for release this fall. Warner Brothers said it was shocked by the news.
Story continues below ↓advertisement
Click Here!
Knox was one of five young men and boys taken to various hospitals across the capital after the brawl, police said. Among them was a 21-year-old who has since been arrested on suspicion of murder.
The fight did not appear to be gang-related, police added, but it puts the number of violent teenage deaths in London at 14 so far this year. Knox played on the same rugby club as another recent teenage victim, Jimmy Mizen, who was fatally stuck with a piece of glass outside a south London bakery earlier this month after refusing to take part in a fight.
England and Wales' homicide rate is more than three times lower than that of the U.S., according to 2005 statistics, but the parade of young victims on the nightly news has disquieted Londoners.
The city's new mayor, Boris Johnson, won election on promises to tackle violent crime. And the Metropolitan Police have recently kicked off an aggressive new program to search anyone they wish for knives without having to justify their suspicions beforehand.
England's children's commissioner, Sir Al Aynsley-Green, has warned the searches could backfire if they build hostility among young people.
"There is a balance here," Aynsley-Green told British Broadcasting Corp. television Saturday. "On the one hand for young people to feel safer by having the presence of the police, but on the other hand making sure the new powers don't create further antagonism by increased stopping and searching."
Tuesday, January 22, 2008
A sad day........
Breaking news
A Great young Actor is dead...
NEW YORK - Heath Ledger was found dead Tuesday in a Manhattan apartment, naked in bed with sleeping pills nearby, police said. The Australian-born actor was 28.
There was no obvious indication of suicide, NYPD spokesman Paul Browne said.
Ledger’s publicist, Mara Buxbaum, issued a statement this Tuesday night, saying, “We are all deeply saddened and shocked by this accident. This is an extremely difficult time for his loved ones and we are asking the media to please respect the family’s privacy.”
It wasn’t immediately clear if Ledger had committed suicide. He had an appointment for a massage at the residence in the tony neighborhood of SoHo, NYPD spokesman Paul Browne said. A housekeeper who went to let him know the massage therapist had arrived and found him unconscious at 3:26 p.m.
According to The New York Times, his body was moved to the floor, and after receiving no response from the actor after shaking him, the masseuse and housekeeper called authorities.
“We are investigating the possibility of an overdose,” Browne said. “There were pills within the vicinity of the bed.”
A source told msnbc.com's Courtney Hazlett that Ledger had been turning down roles lately.
The Times initially reported that Ledger was found in an apartment owned by actress Mary-Kate Olsen, but a spokesperson for the actress, who is at the Sundance Film Festival, later told the Times the apartment was not Olsen's.
A large crowd of paparazzi and gawkers began gathering Tuesday evening outside the building on the upscale block, where several police officers guarded the door. According to The Times, city workers rolled Ledger’s body, encased in a black body bag, out of the building on a stretcher.
An autopsy was planned for Wednesday, medical examiner’s office spokeswoman Ellen Borakove said.
While not a marquee movie star, Ledger was a respected, award-winning actor who chose his roles carefully rather than cashing in on his heartthrob looks. He was nominated for an Oscar for his performance as a gay cowboy in “Brokeback Mountain,” where he met Michelle Williams, who played his wife in the film. The two had a daughter, now 2-year-old Matilda, and lived together in Brooklyn until they split up last year.
It was a shocking and unforeseen conclusion for one of Hollywood’s bright young stars. Though his leading man looks propelled him to early stardom in films like “10 Things I Hate About You” and “A Knight’s Tale,” his career took a notable turn toward dramatic and brooding roles with 2001’s “Monster’s Ball.”
“I had such great hope for him,” said Mel Gibson, who played Ledger’s vengeful father in “The Patriot,” in a statement from the actor’s publicist. “He was just taking off and to lose his life at such a young age is a tragic loss. My thoughts and prayers are with him and his family.”
Ledger eschewed Hollywood glitz in favor of a bohemian life in Brooklyn, where he was one of the borough’s most famous residents. “Brokeback” would be his breakthrough role, establishing him as one of his generation’s finest talents and an actor willing to take risks.
Ledger began to gravitate more toward independent fare, including Lasse Hallstrom’s “Casanova” and Terry Gilliam’s “The Brothers Grimm,” both released in 2005. His 2006 film “Candy” now seems destined to have an especially haunting quality: In a particularly realistic performance, Ledger played a poet wrestling with a heroin addiction along with his girlfriend, played by Abbie Cornish.
But Ledger’s most recent choices were arguably the boldest yet: He co-starred in “I’m Not There,” in which he played one of the many incarnations of Bob Dylan — as did Cate Blanchett, whose performance in that film earned an Oscar nomination Tuesday for best supporting actress.
And in what may be his final finished performance, Ledger proved that he wouldn’t be intimidated by taking on a character as iconic as Jack Nicholson’s Joker. Ledger’s version of the Batman villain, glimpsed in early teaser trailers, made it clear that his Joker would be less comical and more depraved and dark.
Curiosity to see Ledger’s final performance will likely further stoke interest in the summer blockbuster. “Dark Knight” director Christopher Nolan said earlier this month that Ledger’s performance as the Joker would be wildly different than Jack Nicholson’s memorable turn in 1989’s “Batman.”
“It was a very great challenge for Heath,” Nolan said. “He’s extremely original, extremely frightening, tremendously edgy. A very young character, a very anarchic presence that taps into a lot of our basic fears and panic.”
Ledger told The New York Times in a November interview that he “stressed out a little too much” during the Dylan film, and had trouble sleeping while portraying the Joker, whom he called a “psychopathic, mass-murdering, schizophrenic clown with zero empathy.”
“Last week I probably slept an average of two hours a night,” Ledger told the newspaper. “I couldn’t stop thinking. My body was exhausted, and my mind was still going.” He said he took two Ambien pills, which only worked for an hour, the paper said.
Before settling down with Williams, Ledger had relationships with actresses Heather Graham and Naomi Watts. He met Watts while working on “The Lords of Dogtown,” a fictionalized version of a cult classic skateboarding documentary, in 2004.
A Great young Actor is dead...
NEW YORK - Heath Ledger was found dead Tuesday in a Manhattan apartment, naked in bed with sleeping pills nearby, police said. The Australian-born actor was 28.
There was no obvious indication of suicide, NYPD spokesman Paul Browne said.
Ledger’s publicist, Mara Buxbaum, issued a statement this Tuesday night, saying, “We are all deeply saddened and shocked by this accident. This is an extremely difficult time for his loved ones and we are asking the media to please respect the family’s privacy.”
It wasn’t immediately clear if Ledger had committed suicide. He had an appointment for a massage at the residence in the tony neighborhood of SoHo, NYPD spokesman Paul Browne said. A housekeeper who went to let him know the massage therapist had arrived and found him unconscious at 3:26 p.m.
According to The New York Times, his body was moved to the floor, and after receiving no response from the actor after shaking him, the masseuse and housekeeper called authorities.
“We are investigating the possibility of an overdose,” Browne said. “There were pills within the vicinity of the bed.”
A source told msnbc.com's Courtney Hazlett that Ledger had been turning down roles lately.
The Times initially reported that Ledger was found in an apartment owned by actress Mary-Kate Olsen, but a spokesperson for the actress, who is at the Sundance Film Festival, later told the Times the apartment was not Olsen's.
A large crowd of paparazzi and gawkers began gathering Tuesday evening outside the building on the upscale block, where several police officers guarded the door. According to The Times, city workers rolled Ledger’s body, encased in a black body bag, out of the building on a stretcher.
An autopsy was planned for Wednesday, medical examiner’s office spokeswoman Ellen Borakove said.
While not a marquee movie star, Ledger was a respected, award-winning actor who chose his roles carefully rather than cashing in on his heartthrob looks. He was nominated for an Oscar for his performance as a gay cowboy in “Brokeback Mountain,” where he met Michelle Williams, who played his wife in the film. The two had a daughter, now 2-year-old Matilda, and lived together in Brooklyn until they split up last year.
It was a shocking and unforeseen conclusion for one of Hollywood’s bright young stars. Though his leading man looks propelled him to early stardom in films like “10 Things I Hate About You” and “A Knight’s Tale,” his career took a notable turn toward dramatic and brooding roles with 2001’s “Monster’s Ball.”
“I had such great hope for him,” said Mel Gibson, who played Ledger’s vengeful father in “The Patriot,” in a statement from the actor’s publicist. “He was just taking off and to lose his life at such a young age is a tragic loss. My thoughts and prayers are with him and his family.”
Ledger eschewed Hollywood glitz in favor of a bohemian life in Brooklyn, where he was one of the borough’s most famous residents. “Brokeback” would be his breakthrough role, establishing him as one of his generation’s finest talents and an actor willing to take risks.
Ledger began to gravitate more toward independent fare, including Lasse Hallstrom’s “Casanova” and Terry Gilliam’s “The Brothers Grimm,” both released in 2005. His 2006 film “Candy” now seems destined to have an especially haunting quality: In a particularly realistic performance, Ledger played a poet wrestling with a heroin addiction along with his girlfriend, played by Abbie Cornish.
But Ledger’s most recent choices were arguably the boldest yet: He co-starred in “I’m Not There,” in which he played one of the many incarnations of Bob Dylan — as did Cate Blanchett, whose performance in that film earned an Oscar nomination Tuesday for best supporting actress.
And in what may be his final finished performance, Ledger proved that he wouldn’t be intimidated by taking on a character as iconic as Jack Nicholson’s Joker. Ledger’s version of the Batman villain, glimpsed in early teaser trailers, made it clear that his Joker would be less comical and more depraved and dark.
Curiosity to see Ledger’s final performance will likely further stoke interest in the summer blockbuster. “Dark Knight” director Christopher Nolan said earlier this month that Ledger’s performance as the Joker would be wildly different than Jack Nicholson’s memorable turn in 1989’s “Batman.”
“It was a very great challenge for Heath,” Nolan said. “He’s extremely original, extremely frightening, tremendously edgy. A very young character, a very anarchic presence that taps into a lot of our basic fears and panic.”
Ledger told The New York Times in a November interview that he “stressed out a little too much” during the Dylan film, and had trouble sleeping while portraying the Joker, whom he called a “psychopathic, mass-murdering, schizophrenic clown with zero empathy.”
“Last week I probably slept an average of two hours a night,” Ledger told the newspaper. “I couldn’t stop thinking. My body was exhausted, and my mind was still going.” He said he took two Ambien pills, which only worked for an hour, the paper said.
Before settling down with Williams, Ledger had relationships with actresses Heather Graham and Naomi Watts. He met Watts while working on “The Lords of Dogtown,” a fictionalized version of a cult classic skateboarding documentary, in 2004.
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